Film Work
- (1936) New Shoes (short feature), After the Thin Man, Maytime, The Longest Night, Libeled Lady, Sinner Take All
- (1937) Bad Man of Brimstone, The Firefly (film), The Good Old Soak, London by Night, Madame X, Mama Steps Out, Mannequin, Man of the People, Navy Blue and Gold, Parnell, Saratoga, You're Only Young Once
- (1938) Broadway Serenade, The First Hundred Years, The Girl Downstairs, Happily Buried (short feature), The Hardys Ride High, Honolulu, Let Freedom Ring, Lord Jeff, The Magician's Daughter (short feature), Marie Antoinette, Nuts and Bolts (short feature), Our Gang Follies (short feature), Paradise for Three, Snow Gets in Your Eyes (short feature), Sweethearts, Three Comrades, The Toy Wife, Vacation from Love
- (1939) Balalaika, Florian, Music in My Heart, The New Moon, Strange Cargo, These Glamour Girls, The Women
- (1940) "Blondie Goes Latin", "Dance, Girl, Dance", "Kit Carson", "South of Pago-Pago"
- (1941) "Cubana", "Fiesta", "Playing with Music", "I Married an Angel", "Rio Rita"
- (1955) "Kismet", "Make Believe Ballroom", "Rainbow 'Round My Shoulder"
- (1970) Song of Norway (This film featured adaptations of different music of Edvard Grieg than that of the 1944 Broadway show of the same title.)
- (1972) The Great Waltz
Hit songs of their day include "The Donkey Serenade" (written with composer Herbert Stothart "based on a theme of Rudolf Friml") from "The Firefly", "Always and Always" from Mannequin and "It's a Blue World" from Music in My Heart.
Read more about this topic: Robert Wright (writer)
Famous quotes containing the words film and/or work:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Not rarely, and this is especially true of wives and mothers, the motive behind assuming a disproportionate share of work and responsibility is completely unselfish. We want to protect, to spare those of whom we are fond. We forget that, regardless of the motive, the results of such action are almost always destructive and unproductive.”
—Hortense Odlum (1892–?)