Television
Nathan began working in episodic television on the original staff of Law & Order'. He was subsequently on the original staff of ER as Co-Executive Producer and for that show received the industry’s coveted George Foster Peabody Award. His television credits include Executive Producer and showrunner, Law & Order: Criminal Intent; Co-Executive Producer, Law & Order; Co-Executive Producer, Law & Order: SVU; Co-Executive Producer, Dragnet; Executive Producer and showrunner, ABC’s Women’s Murder Club; Consulting Producer, USA’s Fairly Legal; Consulting Producer, FX’s Dirt; Executive Producer, showrunner, and co-creator, NBC’s Prince Street; and Executive Producer and showrunner, CBS’s The Client. For episodes of Law & Order and its sequels he received an Edgar Award nomination from the Mystery Writers of America, four Emmy nominations and a Humanitas Award nomination as a producer, The Shine Award, The Silver Gavel Award, and the GLAAD Media Award. For Paramount Television he was Executive Producer of James Ellroy’s L.A. Sheriff’s Homicide. In the 23-year history of the Law & Order franchise, the 1993 episode “Manhood,” from Nathan's teleplay with a story co-written by Walon Green, holds the only Emmy nomination in the category Outstanding Writing for A Drama Series.
Read more about this topic: Robert Stuart Nathan
Famous quotes containing the word television:
“So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.”
—Raymond Chandler (1888–1959)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)