Works
In 1918 he authored a novel with a graphological plot, Diplomats, which was published in German, Czech, Dutch, French and Italian (1921). In the 1920s he began the Bulletin of the Dutch Association for Scientific Graphology (Nederlands Tijdschrift Voor Graphologie. Orgaan Van De Vereeniging Voor Wetenschappelijke Grafologie). In 1963 this became Acta Graphologica.
In 1925 Unwin published Psychology of Handwriting; it also appeared in Dutch, German, Danish, and Swedish. Saudek supplemented his income by drawing rents from two large properties in Berlin. He also gave lectures, notably one to the British Psychological Society, Medical section on 21 October 1926, which became an article (see Saudek 1927). He also made radio broadcasts with the BBC; one such broadcast took place on 7 September 1927.
His next book was Experimental Graphology, which appeared in German, Czech and Dutch in 1926. Saudek lectured on experimental graphology at Berlin, Amsterdam, Brussels and Prague from 1926 to 1928.
The book Experiments in Handwriting was published in London in 1928. Possibly related to the book and his lecture tour initiatives, Saudek was awarded a PhD in Brussels, Belgium in the same year. This now meant that he was able to use the title Dr Saudek.
Another book followed in 1932, What Your Handwriting Shows—a shorter, more popular-style book than the others. Then in 1933 Anonymous Letters was published; this concentrated on the criminological aspects of handwriting analysis work.
Read more about this topic: Robert Saudek
Famous quotes containing the word works:
“Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
—Samuel Johnson (1709–1784)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)