Works
All operettas and all premieres in Paris, unless otherwise noted.
- Méfie-toi de Pharaon, one act, 1872, Eldorado
- Le serment de Mme Grégoire, 1874, Eldorado
- Paille d'avoine, one act, 12 March 1874, Théâtre des Délassements-Comiques
- Le valet de coeur, saynète, one act, 1875, Alcazar d'Eté
- Le péage, c 1876, Eldorado
- Les cloches de Corneville, opéra comique, four acts, 19 April 1877, Théâtre des Folies-Dramatiques
- Le chevalier Gaston, one act, 8 February 1879, Opéra, Monte Carlo
- Les voltigeurs de la 32ème, three acts, 7 January 1880, Renaissance
- La cantinière, three acts, 26 October 1880, Théâtre de Nouveautés
- Rip van Winkle (Rip-Rip), three acts, 14 October 1882, Comedy Theatre, London
- Les chevaux-légers, one act, 1882
- Nell Gwynne (La princesse Colombine), three acts, 7 February 1884, Avenue Theatre, London
- La crémaillere, three acts, 28 November 1885, Nouveautés
- Surcouf, three acts, 6 October 1887, Folies-Dramatiques
- Captain Thérése, 1887, three acts, 25 August 1890, Prince of Wales Theatre, London
- La cocarde tricolore, three acts, 12 February 1892, Folies-Dramatiques
- Le talisman, three acts, 20 January 1893, Théâtre de la Gaîté
- Les vingt-huit jours de Champignolette, 17 September 1895, République
- Panurge, 1895, three acts, 22 November 1895, Gaîté
- Mam'zelle Quat'sous, four acts, 19 April 1897 Gaîté
- Le fiancé de Margot, one act, 1900
- Le paradis de Mahomet, three acts, completed by L Ganne, 15 May 1906, Variétés
Read more about this topic: Robert Planquette
Famous quotes containing the word works:
“Any balance we achieve between adult and parental identities, between children’s and our own needs, works only for a time—because, as one father says, “It’s a new ball game just about every week.” So we are always in the process of learning to be parents.”
—Joan Sheingold Ditzion, Dennie, and Palmer Wolf. Ourselves and Our Children, by Boston Women’s Health Book Collective, ch. 2 (1978)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (1817–1862)