Theatre Career
- First stage appearance in Dr Syn (Hippodrome, Margate, 28 May 1928)
- First London role, a pirate in Treasure Island (Strand Theatre, Christmas 1929)
- Touring, plus Playhouse Oxford and Festival Cambridge repertory, (1931–1933)
- Oakes in Up In the Air (Royalty Theatre, London 1933)
- Touring with Sir Frank Benson (1934–35)
- Ran a repertory company with Peter Bull (Perranporth, Cornwall, 1935)
- Title role in Oscar Wilde (Gate Theatre Studio, Villiers Street, London, 1936)
- Alexandre Dumas in The Great Romancer (Strand Theatre and New Theatre, 1937)
- Henry Higgins in Pygmalion (Old Vic Theatre, 1937)
- Title role in Oscar Wilde (Fulton Theatre, New York, October 1938)
- Title role in Springtime for Henry (Perranporth, 1939)
- Descius Heiss in Play with Fire (try-out version of The Shop at Sly Corner, Theatre Royal, Brighton, 1941)
- Sheridan Whiteside in The Man Who Came to Dinner (Savoy Theatre — and on tour — 1941–1943)
- Charles in Staff Dance (also wrote, touring UK, 1944)
- Prince Regent in The First Gentleman (New Theatre and Savoy, 1945–46)
- Arnold Holt in Edward, My Son (also co-wrote, His Majesty's Theatre, 1947; also played this role at the Martin Beck Theatre New York 1948, and in Australia and New Zealand, 1949–50)
- Philip in The Little Hut (Lyric Theatre, 1950)
- Hippo in Hippo Dancing (also adapted, Lyric, 1954)
- Oswald Petersham in A Likely Tale (Globe Theatre, 1956)
- Panisse in the musical Fanny (Drury Lane, 1956
- The Tunnel of Love (directed, Her Majesty's, 1957)
- Sebastian Le Boeuf in Hook, Line and Sinker (also adapted, Piccadilly Theatre, 1958)
- Once More, with Feeling (directed, New Theatre, 1959)
- Mr Asano in A Majority of One (Phoenix Theatre, 1960)
- Title role in Mr Rhodes (Theatre Royal Windsor, 1961)
- The Bishop in A Time to Laugh (Piccadilly, 1962)
- The Sound of Morley (One-man show, touring Australia 1966–67)
- Sir Mallalieu Fitzbuttress in Halfway Up the Tree (Queen's Theatre, 1967)
- Frank Foster in How the Other Half Loves (Lyric, 1970; also North America, 1972, and Australia, 1973)
- Barnstable in A Ghost on Tiptoe (also co-wrote, Savoy, 1974)
- Pound in Banana Ridge (Savoy, 1976)
- Toured Robert Morley Talks to Everyone (1978)
- Picture of Innocence (co-wrote and toured UK and Canada, 1978)
- Hilary in Alan Bennett's The Old Country (Theatre Royal, Sydney, 1980)
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Famous quotes containing the words theatre and/or career:
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didnt learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (19001993)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)