Performances With The Metropolitan Opera
Robert Merrill made 769 performances with the Metropolitan Opera in the following 21 roles:
| Composer | Opera | Role | First performance | Last performance | Total performances |
|---|---|---|---|---|---|
| Verdi | La traviata | Germont | 1945-12-15 | 1976-03-15 | 132 |
| Donizetti | Lucia di Lammermoor | Enrico | 1945-12-29 | 1965-01-23 | 16 |
| Bizet | Carmen | Escamillo | 1946-01-07 | 1972-01-04 | 81 |
| Mussorgsky | Boris Godunov | Shchelkalov | 1946-11-21 | 1947-04-21 | 5 |
| Gounod | Faust | Valentin | 1946-12-23 | 1972-05-04 | 48 |
| Verdi | Aida | Amonasro | 1947-01-11 | 1973-06-01 | 72 |
| Rossini | Il Barbiere di Siviglia | Figaro | 1947-11-15 | 1966-06-04 | 46 |
| Verdi | Il trovatore | Count di Luna | 1947-12-11 | 1973-05-30 | 73 |
| Saint-Saëns | Samson et Dalila | High Priest | 1949-11-26 | 1950-04-30 | 10 |
| Verdi | Don Carlo | Rodrigo | 1950-11-06 | 1972-06-21 | 51 |
| Leoncavallo | Pagliacci | Silvio | 1951-02-09 | 1951-02-09 | 1 |
| Leoncavallo | Pagliacci | Tonio | 1952-03-14 | 1964-04-02 | 22 |
| Verdi | Rigoletto | Rigoletto | 1952-11-15 | 1972-02-05 | 56 |
| Puccini | La bohème | Marcello | 1952-12-27 | 1954-02-01 | 10 |
| Verdi | Un ballo in maschera | Renato | 1955-02-26 | 1976-05-29 | 56 |
| Donizetti | Don Pasquale | Malatesta | 1956-04-09 | 1956-12-10 | 8 |
| Ponchielli | La Gioconda | Barnaba | 1958-12-11 | 1962-04-16 | 13 |
| Verdi | La forza del destino | Don Carlo | 1961-12-12 | 1972-06-09 | 33 |
| Giordano | Andrea Chénier | Carlo Gérard | 1962-10-15 | 1966-03-22 | 7 |
| Verdi | Otello | Iago | 1963-03-10 | 1965-05-07 | 18 |
| Puccini | Tosca | Scarpia | 1964-10-23 | 1974-12-09 | 11 |
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Famous quotes containing the words performances, metropolitan and/or opera:
“This play holds the seasons record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
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“In metropolitan cases, the love of the most single-eyed lover, almost invariably, is nothing more than the ultimate settling of innumerable wandering glances upon some one specific object.”
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“The opera house sparkled with tiers
And tiers of eyes, like mine enlarged by belladonna,”
—James Merrill (b. 1926)
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