Career
In Paris in 1926 he met a dancer, Rupert Doone, with whom he lived for the rest of Doone's life. In 1932 he and Doone cofounded the Group Theatre (London), for which Medley served as artistic director, either designing the Group's productions or supervising designs that included masks by Henry Moore. Medley and Doone invited Auden to write plays for the Group, and through Auden Medley met Stephen Spender, Louis MacNeice, and others who became associated with the Group.
From 1929 to1934 he worked with Duncan Grant and Vanessa Bell, and he exhibited paintings with the London Group from 1929. His first solo show was at the London Artists' Association in 1932. During the 1930s he worked mostly in various avant-garde styles. He had a painting in the International Surrealist Exhibition in London in 1936. In 1937 Medley founded the Artists' International Association (AIA), which promoted socialist and avant-garde art. In 1938 he chaired a widely-noticed debate between Realists and Surrealists organized by the AIA.
During the Second World War Medley served as an official war artist, and as a camouflage officer in the Western Desert.
He taught at the Chelsea Art School (now part of the Chelsea College of Art and Design) in 1945-49, at the Slade School of Fine Art in 1958-66, and as chairman of the faculty of painting at the British School in Rome in 1966-77.
In the 1950s he was one of the first English painters who turned to abstraction, but in later years returned to figurative painting. These last paintings are the most widely-respected of his works.
A retrospective exhibition was held at Whitechapel Art Gallery in 1963.
In 1982 he was appointed CBE. In 1985 he was elected to the Royal Academy. A centenary tribute at James Hyman Fine Art (a London gallery) in 2005 was accompanied by a catalogue with essays about Medley's work.
Read more about this topic: Robert Medley
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