Lindbergh and Goddard
After a launch of one of Goddard's rockets in July 1929 again gained the attention of the newspapers, Charles Lindbergh learned of his work. At the time, Lindbergh had begun to wonder what would become of aviation in the distant future, and had settled on rocket flight as a probable next step. He contacted Goddard in November 1929. Professor Goddard met the aviator soon after, in his office at Clark University. Upon meeting Goddard, Lindbergh was immediately impressed by his research, and Goddard was similarly impressed by the flier's interest. He discussed his work openly with Lindbergh, forming an alliance that would last for the rest of his life. While having long since become reticent to share his ideas, Goddard showed complete openness with those few who shared his dream, and whom he felt he could trust.
By late 1929, Goddard had been attracting additional notoriety with each rocket launch. He was finding it increasingly difficult to conduct his research without unwanted distractions. Lindbergh discussed finding additional financing for Goddard's work, and put his famous name to work for Goddard. Into 1930, Lindbergh made several proposals to industry and private investors for funding, which proved all but impossible to find following the recent U.S. stock market crash in October 1929.
Read more about this topic: Robert H. Goddard
Famous quotes containing the words lindbergh and/or goddard:
“I got it: Man Without Head Kills Rich Jeweler. What an eight- column spread that’d be on the front page. Why that’s the greatest story since Lindbergh flew to Paris. Oh boy, if only it was true.”
—P. J. Wolfson, John L. Balderston (1899–1954)
“There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.”
—Harold C. Goddard (1878–1950)