Plays
- The Road to Rome (1927)
- The Love Nest (1927)
- The Queen's Husband (1928) - adapted into the 1931 film The Royal Bed.
- Waterloo Bridge (1930) - adapted into a 1931 film and two soap-operas in Brazil. Another film was made in 1940 with Vivien Leigh and Robert Taylor.
- This is New York (1930) - adapted into the 1932 film Two Kinds of Women.
- Reunion in Vienna (1931) - adapted into a 1933 film.
- Acropolis (1933)
- The Petrified Forest (1935) - adapted into 1936 film with Leslie Howard and Bette Davis.
- Tovarich (1935) - from a French comedy by Jacques Deval - adapted into a 1937 film, and a 1963 musical with Vivien Leigh and Jean Pierre Aumont.
- Idiot's Delight (1936) Pulitzer Prize for Drama - adapted into 1939 film.
- Abe Lincoln in Illinois (1938) Pulitzer Prize for Drama - adapted into 1940 film. See Abe Lincoln in Illinois (film).
- There Shall Be No Night (1940) Pulitzer Prize for Drama.
- The Rugged Path (1945)
- Miss Liberty (1949) - book for Irving Berlin musical - score includes Berlin's setting of Emma Lazarus's poem "The New Colossus" ("Give me your tired, your poor").
- Small War on Murray Hill (1957) - produced posthumously.
Read more about this topic: Robert E. Sherwood
Famous quotes containing the word plays:
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (18561950)
“The rain makes still pools on the sidewalk.
The rain makes running pools in the gutter.
The rain plays a little sleep-song on our roof at night”
—Langston Hughes (19021967)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (18381918)