Robert Burton (scholar) - Work

Work

Burton's Melancholy focuses sharply on the self; unlike Bacon, Burton assumes that knowledge of psychology, not natural science, is humankind's greatest need. His enormous treatise is considered "delightful" by critics; it examines in encyclopaedic detail the ubiquitous Jacobean malady, melancholy, supposedly caused by an excess of "black bile," according to the humor theory fashionable at the time.

Melancholy was responsible, according to Burton and others, for the wild passions and despairs of lovers, the agonies and ecstasies of religious devotees, the frenzies of madmen, and the studious abstraction exemplified by scholars such as Shakespeare or Milton.

He wrote The Anatomy of Melancholy largely to write himself out of being a lifelong sufferer from depression. As he described his condition in the preface "Democritus Junior to the Reader,"

for I had gravidum cor, foetum caput, a kind of imposthume in my head, which I was very desirous to be unladen of.

Therefore, the treatise itself was intended as treatment. Again, from the preface:

I write of melancholy, by being busy to avoid melancholy. There is no greater cause of melancholy than idleness, no better cure than business.

However, this sentence may also be interpreted ironically, as Burton is citing a well-known adage of the time. Indeed, the entire preface is quite satirical in nature — at one point Burton pretends to warn melancholic people to avoid his book for fear of exacerbating their symptoms:

Yet one caution let me give by the way to my present or future reader, who is actually melancholy, that he read not the symptoms or prognostics in the following tract, lest by applying that which he reads to himself, aggravating, appropriating things generally spoken to his own person (as melancholy men for the most part do), he trouble or hurt himself, and get in conclusion more harm than good.

The parenthetical aside is meant to be tongue-in-cheek.

The work, published under the pseudonym Democritus Junior in 1621, was quite popular. In the words of Thomas Warton:

the author's variety of learning, his quotations from rare and curious books, his pedantry sparkling with rude wit and shapeless elegance… have rendered it a repertory of amusement and information.

Many later writers were deeply influenced by the book's odd mix of pan-scholarship, humour, linguistic skill, and creative (if highly approximate) insights. This influence was so strong that later writers sometimes drew from the work without acknowledgment (such accusations were levelled at Laurence Sterne's book Tristram Shandy).

Samuel Johnson considered it one of his favourite books, being "the only book that ever took him out of bed two hours sooner than he wished to rise". The book has continued as a favourite among many 20th and 21st-century authors, such as Anthony Burgess (who said "Most modern books weary me, but Burton never does"), William H. Gass (who wrote the introduction to the 2001 omnibus edition), and Llewelyn Powys (who dubbed it "the greatest work of prose of the greatest period of English prose-writing"). Apart from The Anatomy of Melancholy Burton's only other published work is Philosophaster, a satirical Latin comedy.