Robert Bridges' theory of elision is a theory of elision developed by the poet Robert Bridges, while he was working on a prosodic analysis of John Milton's poems Paradise Lost, Paradise Regained, and Samson Agonistes. Bridges describes his theory in thorough detail in his 1921 book Milton's Prosody. With his definition of poetic elision, Bridges is able to demonstrate that no line in Paradise Lost contains an extra unmetrical syllable mid-line; that is, any apparent extra mid-line syllable can be explained as an example of Bridges' elision.
Read more about Robert Bridges' Theory Of Elision: Milton's Elision in Paradise Lost, Milton's Later Relaxation of The Rules of Elision, Notes
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“It makes no sense to say what the objects of a theory are,
beyond saying how to interpret or reinterpret that theory in another.”
—Willard Van Orman Quine (b. 1908)