Painting
A lesser known aspect of Sherman's life was his painting which he had done since 1941 and kept private (except from his family and close friends) until 2002. Sherman studied painting while attending Bard College, receiving a double degree in both Painting and English Literature. Sherman has worked in various visual arts media, including clay and metal sculpture, but his main focus was oil painting throughout the 1940s, 1950s and 1960s until he switched to acrylics in the mid 1960s, and stuck to that medium.
In April 2002, an exhibition of Sherman's paintings was held in London, England, at Thompsons' Gallery on Marylebone High Street. This marked the first public exhibition of his paintings since he started painting in 1941. Sherman subsequently exhibited his paintings in Florida and California. A series of Limited Edition Giclées of Sherman's art were also published at this time on both canvas and paper.
Paintings which have appeared at the various exhibitions include: "On Route 9G" (c.1949), "Self Portrait" (1970), "San Francisco (1970)", "Moses" (1977), "Carousel In The Country" (1982), "From the Dining Room (1982)", "Sacrifice" (1983), "Florid Window" (1984), "Geisha (1986)", "Fine Four Fendered Friend (2002)" and "Park Lane" (2003). On March 4, 2007, Sherman and his younger son, Robbie, donated limited edition prints of "Moses" and "Sacrifice" to the Giffnock Synagogue in Glasgow, Scotland.
Robert Sherman was also a metal sculptor, poet, and short story author.
Read more about this topic: Robert B. Sherman
Famous quotes containing the word painting:
“If people only knew as much about painting as I do, they would never buy my pictures.”
—Edwin Landseer (1802–1873)
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)
“Photography suits the temper of this age—of active bodies and minds. It is a perfect medium for one whose mind is teeming with ideas, imagery, for a prolific worker who would be slowed down by painting or sculpting, for one who sees quickly and acts decisively, accurately.”
—Edward Weston (1886–1958)