Road Bridges - Gallery

Gallery

  • Bamboo bridge over the Serayu River in Java, Indonesia (ca. 1910–40)

  • The Arkadiko Bridge in Greece (13th century BC), one of the oldest arch bridges in existence

  • An English 18th century example of an arch bridge in the Palladian style, with shops on the span: Pulteney Bridge, Bath

  • Roman bridge of Córdoba, Spain, built in the 1st century BC.

  • A log bridge in the French Alps near Vallorcine.

  • A Han Dynasty (202 BC – 220 AD) Chinese miniature model of two residential towers joined by a bridge

  • One of the most famous historical bridges in the world: Ponte Vecchio

  • Lomonosov Bridge in St. Petersburg

  • Stone arch bridge in Shaharah, Yemen

  • Primitive suspension bridge over the River Astore

  • Continuous under-deck truss bridge: Kingston–Rhinecliff Bridge.

  • Through truss bridge with steel girders and wooden carriageway

  • Old Bridge in Mostar, Bosnia and Herzegovina

  • Mehmed Paša Sokolović Bridge in Višegrad, Bosnia and Herzegovina

  • Abetxuko Bridge Unique truss bridge concept in Abetxuko, Vitoria, Spain

  • By US legal standards this Italian culvert is an arch bridge

  • Tied arch bridge across Tunga river at Thirthahalli, Karnataka,India

Read more about this topic:  Road Bridges

Famous quotes containing the word gallery:

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)