World War I
Shortly after Great Britain declared war on Germany on 4 August 1914, Mauretania and Aquitania were requested by the British government to become armed merchant cruisers, but their huge size and massive fuel consumption made them unsuitable for the duty; and they resumed their civilian service on 11 August. Later, due to lack of passengers crossing the Atlantic, Mauretania was laid up in Liverpool until May 1915, when her sister ship Lusitania was sunk by a German U-boat.
Mauretania was about to fill the void left by Lusitania, but she was ordered by the British government to serve as a troopship to carry British troops during the Gallipoli campaign. She avoided becoming prey for German U-boats because of her high speed and the seamanship of her crew. As a troopship, Mauretania received dazzle camouflage, a form of abstract colour scheming, in an effort to confuse enemy ships.
When combined forces from the British empire and France began to suffer heavy casualties, Mauretania was ordered to serve as a hospital ship, along with her fellow Cunarder Aquitania and White Star's Britannic, in order to treat the wounded until 25 January 1916. In medical service the vessel was painted white with large medical cross emblems surrounding the vessel. Seven months later, Mauretania once again became a troop ship when requisitioned by the Canadian government to carry Canadian troops from Halifax to Liverpool. Her war duty was not yet over when the United States declared war on Germany in 1917, and she carried thousands of American troops, the ship was known by the Admiralty as HMS Tuberose until the end of the war, but the vessel's name was never changed by Cunard. The dazzle painting was not used when Mauretania served as a hospital ship.
Read more about this topic: RMS Mauretania (1906)
Famous quotes containing the words world and/or war:
“We admire a woman for the courage to show herself to the world as she is, and in the end its the courage we find attractive.”
—New Yorker (April 30, 1990)
“Come Vitus, are we men, or are we children? Of what use are all these melodramatic gestures? You say your soul was killed, and that you have been dead all these years. And what of me? Did we not both die here in Marmaros fifteen years ago? Are we any the less victims of the war than those whose bodies were torn asunder? Are we not both the living dead?”
—Peter Ruric, and Edgar G. Ulmer. Hjalmar Poelzig (Boris Karloff)