Career
Deshmukh began his film career with the 2003 romance, Tujhe Meri Kasam opposite Genelia D'Souza. He later appeared in Out of Control, which earned a relatively moderate return. In his third film, Masti, a comic thriller, his role was widely disparaged. Regardless, the film performed well at the box office. He gained fame after his performance in Masti, which earned him two minor awards. He subsequently appeared Bardaasht and Naach. His first relatively successful lead role occurred in the widely panned sex-comedy Kyaa Kool Hai Hum with Tusshar Kapoor. While the film was reviled by critics, it was tolerated by audiences and declared a moderate success at the box office.
He appeared in Malamaal Weekly and Apna Sapna Money Money apart from Bluffmaster! with Abhishek Bachchan in the lead. He was also seen in guest roles in Ram Gopal Varma's Darna Zaroori Hai, and then Namastey London, which was a box office hit. In 2007, followed Cash Later that year, he appeared in Sajid Khan's directorial debut Heyy Babyy, co-starring Akshay Kumar and Fardeen Khan, which was a huge hit. He also appeared in the comedy Dhamaal which was an semi hit.
In 2008, he played a lead role in De Taali, in which his performance was praised, and later in Chamku, both of which were declared "Flop" at the box office.
In 2009, his first release was Aladin, co-starring Amitabh Bachchan, Sanjay Dutt and Jacqueline Fernandez. He was in the multi-starcast, Aladin, which was a disaster worldwide. He then played a supporting role in Ram Gopal Varma's Rann, again co-starring Amitabh Bachchan, Paresh Rawal and Rajpal Yadav. His final film of 2009 was Do Knot Disturb along with Govinda, Sushmita Sen, Sohail Khan and Lara Dutta.
In 2010, he worked with Sajid Khan on the comedy Housefull with Akshay Kumar, Deepika Padukone, Lara Dutta, Arjun Rampal and Jiah Khan. The film received negative response from critics, though it was a Blockbuster commercially. His first release of 2011 was F.A.L.T.U, in which he played the role of Bajirao, a fake college principal. His second release of the year was the comic sequel Double Dhamaal, both films were above average grossers. Both films were very successful.
In 2012, he firstly appeared in Tere Naal Love Ho Gaya in which he is paired opposite his real wife Genelia D'Souza. The film managed 90.26 crore as budget was 5.30 crore at the box office. He then starred in another sequel, Housefull 2, which released on 6 April 2012 and was a huge success like its predecessor. Housefull 2 has been marked as Ritesh's biggest success to date. His last release of the year and his latest film, was sequel Kyaa Super Kool Hain Hum, which released on 27 July 2012 and received positive to mixed reviews from critics who praised Riteish's performance. It proved to be another moderate success.
Deshmukh is currently attempting another sequel to the 2004 hit Masti titled Grand Masti which was scheduled to begin filming on 9th September, 2012. Besides from acting, Deshmukh made his debut as an film producer with the Marathi film Balak Palak, directed by Ravi Jhadhav. The film released on 4th January 2013, and was an moderate success.
Read more about this topic: Ritesh Deshmukh
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating Low Average Ability, reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (18891945)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)