Production
The pilot episodes, "Rising (part one and two)" was written by Robert C. Cooper and Brad Wright, and directed by Martin Wood. The Pemberton Glacier in British Columbia doubles for Antarctica during the opening flying sequence. The Antarctic scenes in the start of the episode was filmed in Vancouver, Canada. The budget for the two parter episodes was estimated around $5 million US dollars. Rodney McKay was actually supposed to be African-Canadian under the name Dr. Benjamin Ingram, this didn't stop David Hewlett auditioning. The producers eventually came to a solution where Ingram would be replaced by McKay from the former Stargate SG-1 series. The character Teyla Emmagan was originally named "Mikala" in the early drafts of the Stargate Atlantis script. At the end of February, Metro-Goldwyn-Mayer (MGM) announced the inclusion of Robert Patrick's character Marshall Sumner. The official announcement said that he would only be featured in part one, but was later extended to part one and two. In January, 2004 the Stargate producers announced including Jack O'Neill (portrayed by Richard Dean Anderson) and Daniel Jackson (portrayed by Michael Shanks) in the two hour premiere pilot episode to make it easier for fans to relate to.
Stargate Atlantis was supposed to be set on present day Earth, after Stargate SG-1 was canceled. This didn't happen and Stargate Atlantis was released while Stargate SG-1 was still airing, so the story arc was set in a new galaxy under the name, Pegasus. The story was set in another galaxy so the two running series would not collide with each other and to stop plot interferences. For "Rising", the Pemberton Glacier in British Columbia doubles for Antarctica during the opening flying sequence.
Read more about this topic: Rising (Stargate Atlantis)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)