Riding in Cars With Boys - Reaction

Reaction

The film received mixed reviews. Roger Ebert gave the film three out of four stars and wrote, "A film like this is refreshing and startling in the way it cuts loose from formula and shows us confused lives we recognize ... This movie is closer to the truth: A lot depends on what happens to you, and then a lot depends on how you let it affect you". In his review for The New York Times, Stephen Holden praised Steve Zahn's performance: "It is hard to imagine what Riding in Cars With Boys would have been without Mr. Zahn's brilliantly nuanced and sympathetic portrayal of Ray, who goes through more changes than Beverly". USA Today gave the film three out of four stars and found that the "strength of the movie lies in these performances and in the situational humor, though ultimately the ending is disappointing, attempting to wrap up loose ends far too neatly".

Entertainment Weekly gave the film a "C+" rating and Lisa Schwarzbaum wrote, "Which is to say, every scene is bumpered with actorly business and production detail that says more about nostalgia for the pop culture of earlier American decades than about the hard socioeconomic truths of being a poor, young, undereducated parent". In her review for the Washington Post, Rita Kempley criticized Drew Barrymore's performance: "Barrymore, a delightful comic actress, has the spunk for the role but can't do justice to the complexities of Beverly's conflicted personality. So she comes off as abrasive and neglectful as opposed to headstrong and ambitious, winning no empathy for this sour single mom". Edward Guthmann also had problems with Barrymore's performance in his review for the San Francisco Chronicle: "She never relaxes, never surrenders to the character, but instead tries to justify her and to make us like her despite her selfishness and poor mothering. American actors as a rule are terrified of playing unsympathetic characters, particularly when they've gained the celebrity and box-office appeal that Barrymore has". In his review for the Los Angeles Times, Kenneth Turan criticized the film's direction: "At home with the comedy, even if it is too broad, the director brings next to nothing to the serious scenes; they simply sit there on the screen, empty and forlorn".

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