Career
Thomas soon began his television career. In 1959, he appeared in the presentation of Ibsen's A Doll's House with Julie Harris, Christopher Plummer and Hume Cronyn. He then began acting in daytime TV, appearing in soap operas such as The Edge of Night (as Ben Schultz, 1961) and As the World Turns (as Tom Hughes, 1966–67), which were broadcast from his native Manhattan.
Thomas received his first major film roles, appearing in Winning (1969) with Paul Newman, about auto racing, and Last Summer (also 1969) with Barbara Hershey, a summer coming-of-age movie.
He became nationally recognized for his portrayal of John "John-Boy" Walton, Jr., in the 1970s TV series The Waltons, which was based on the real life of writer Earl Hamner, Jr. He appeared in the 1971 pilot The Homecoming, and then played the role continuously in 122 episodes until March 17, 1977. Thomas left the series and his role was taken over by Robert Wightman, but Thomas returned to the role in three Waltons TV movies, 1993-97. Thomas won an Emmy for Best Actor in a Dramatic Series in 1972. He enrolled in Columbia College of Columbia University as a member of the class of 1973 but left after his junior year.
In 1972 he played against type as murderer and rapist Kenneth Kinsolving in You'll Like My Mother opposite Patty Duke. He played the lead roles of Private Henry Fleming in the 1974 TV movie The Red Badge of Courage; and Paul Baumer in the 1979 TV movie All Quiet on the Western Front. In further TV movies, he played Col. Warner's younger son Jim in Roots: The Next Generations (the sequel to the Emmy-winning Roots); the title role in the biopic Living Proof: The Hank Williams, Jr. Story (1983); Will Mossup in Hobson’s Choice (1983); Henry Durrie in The Master of Ballantrae (1984); Martin Campbell in Final Jeopardy (1985); and the adult William Denbrough in Stephen King’s It (1990).
Read more about this topic: Richard Thomas (actor)
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
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