Early Years and Television
Lester was born in Philadelphia, Pennsylvania. A child prodigy, he began studies at the University of Pennsylvania at the age of 15. He started in television in 1950, working as a stage hand, floor manager, assistant director, and then to director in less than a year, because no one else was around that knew how to do the work. In 1953, Lester moved to London and began work as a director in independent television, working for the legendary low cost television producers The Danziger Brothers on episodes of Mark Saber, a half-hour detective series.
A variety show he produced caught the eye of Peter Sellers, who enlisted Lester's help in translating The Goon Show to television as The Idiot Weekly, Price 2d. It was a hit, as were two follow-up shows, A Show Called Fred and Son of Fred. Lester recalls that A Show Called Fred was "broadcast live and that's why I went into film directing where you can do a second take!"
Read more about this topic: Richard Lester
Famous quotes containing the words early, years and/or television:
“Make-believe is the avenue to much of the young child’s early understanding. He sorts out impressions and tries out ideas that are foundational to his later realistic comprehension. This private world sometimes is a quiet, solitary
world. More often it is a noisy, busy, crowded place where language grows, and social skills develop, and where perseverance and attention-span expand.”
—James L. Hymes, Jr. (20th century)
“Why wont they let a year die without bringing in a new one on the instant, cant they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping—rising to little monotonous peaks in our imaginations at festivals like New Year’s and Easter and Christmas—But, goodness, why need they do it?”
—John Dos Passos (1896–1970)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)