Richard Lester - Early Years and Television

Early Years and Television

Lester was born in Philadelphia, Pennsylvania. A child prodigy, he began studies at the University of Pennsylvania at the age of 15. He started in television in 1950, working as a stage hand, floor manager, assistant director, and then to director in less than a year, because no one else was around that knew how to do the work. In 1953, Lester moved to London and began work as a director in independent television, working for the legendary low cost television producers The Danziger Brothers on episodes of Mark Saber, a half-hour detective series.

A variety show he produced caught the eye of Peter Sellers, who enlisted Lester's help in translating The Goon Show to television as The Idiot Weekly, Price 2d. It was a hit, as were two follow-up shows, A Show Called Fred and Son of Fred. Lester recalls that A Show Called Fred was "broadcast live and that's why I went into film directing where you can do a second take!"

Read more about this topic:  Richard Lester

Famous quotes containing the words early years, early, years and/or television:

    If there is a price to pay for the privilege of spending the early years of child rearing in the driver’s seat, it is our reluctance, our inability, to tolerate being demoted to the backseat. Spurred by our success in programming our children during the preschool years, we may find it difficult to forgo in later states the level of control that once afforded us so much satisfaction.
    Melinda M. Marshall (20th century)

    In early times every sort of advantage tends to become a military advantage; such is the best way, then, to keep it alive. But the Jewish advantage never did so; beginning in religion, contrary to a thousand analogies, it remained religious. For that we care for them; from that have issued endless consequences.
    Walter Bagehot (1826–1877)

    To me, old age is always fifteen years older than I am.
    Bernard Baruch (1870–1965)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)