Novels
His first novel, Death of a River Guide (1997), is the tale of Aljaz Cosini, river guide, who lies drowning, reliving his life and the lives of his family and forebears. It was described by "The Times Literary Supplement" as ‘one of the most auspicious debuts in Australian writing’. His next book, The Sound of One Hand Clapping (1998), which tells the story of Slovenian immigrants, was a major bestseller, selling more than 150,000 copies in Australia alone. Flanagan’s first two novels, declared Kirkus Reviews, ‘rank with the finest fiction out of Australia since the heyday of Patrick White’. Gould's Book of Fish (2001), Flanagan’s third novel, is based on the life of William Buelow Gould, a convict artist, and tells the tale of his love affair with a young black woman in 1828. It went on to win the 2002 Commonwealth Writers’ Prize. Flanagan has described these early novels as 'soul histories'. Flanagan’s fourth novel was The Unknown Terrorist (2006), which "The New York Times" called ‘stunning . . . a brilliant meditation upon the post-9/11 world’. His fifth novel, Wanting (2008) tells two parallel stories: about the novelist Charles Dickens in England, and Mathinna, an Aboriginal orphan adopted by Sir John Franklin, the colonial governor of Van Diemen's Land, and his wife, Lady Jane Franklin. As well as being a New Yorker Book of the Year and Observer Book of the Year, it won the Queensland Premier's Prize, the Western Australian Premier's Prize and the Tasmania Book Prize.
His most recent book is a collection of non-fiction, And What Do You Do, Mr Gable? (2011).
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Famous quotes containing the word novels:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people.”
—Ralph Waldo Emerson (1803–1882)
“All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.”
—Christina Stead (1902–1983)