Career
He then changed his name to Dix. After his move to Hollywood, he began a career in Western movies. One of the few actors to successfully bridge the transition from silent films to talkies, Dix's best-remembered early role was in Cecil B. Demille's silent version of The Ten Commandments (1923). He was nominated for the Academy Award for Best Actor in 1931 for his performance as Yancey Cravat in Cimarron, in which he shared top-billing with Irene Dunne. Cimarron, based on the popular novel by Edna Ferber, took the Best Picture award. Dix starred in another RKO adventure, The Lost Squadron.
A memorable role for Dix was in the 1935 British futuristic film The Tunnel. An original poster for this film was catalogued with an estimated value of between $2000 – $3000 by Heritage Auction Galleries in Dallas in the Summer of 2006. Dix starred in The Great Jasper and Blind Alibi in the late 1930s. His popular RKO Radio Pictures co-star in Blind Alibi was Ace the Wonder Dog. Dix's human co-stars were Whitney Bourne and Eduardo Ciannelli; the film was directed by Lew Landers. Dix also starred as the homicidal Captain Stone in the Val Lewton production of The Ghost Ship, directed by Mark Robson.
In the 1940s he starred in The Whistler, the first of a series of eight "Whistler" films for Columbia Pictures. Dix retired from acting after making the seventh in the series, The Thirteenth Hour.
Read more about this topic: Richard Dix
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)