Artist
Prior to World War II, in the early 1940s, Universal Pictures released Enemy Agent starring Cromwell as a draftsman who thwarts the Nazis. The film co-starred Helen Vinson, Robert Armstrong, Marjorie Reynolds, and Jack La Rue. In 1942 he then went on to appear in marginal but still watchable fare such as Baby Face Morgan, which co-starred Mary Carlisle and was produced by Producers Releasing Corporation, one of the "Poverty Row" studios. Cromwell enjoyed a career boost, if not a critically acclaimed performance, in the film adaptation of the hit radio serial: Cosmo Jones, Crime Smasher (1943), opposite Gale Storm. Next up at Monogram Pictures he was cast as a doctor working covertly for the police department to catch the mobsters in the very forgettable, though endearing Riot Squad, wherein his "fiancee", Rita Quigley, breaks their engagement. Cromwell's break from films due to his stint in the Service meant that he was not much in demand after the War's end. Cromwell finally retired from films after his comeback fizzled: his last role was in a noir flick of 1948, entitled Bungalow 13. In fact, it was the second feature in which he starred with Margaret Hamilton, though the film did not help her star to re-shine brightly either. All told, Cromwell's film career spanned 39 films.
In the 1950s, Richard Cromwell went back to artistic roots and studied ceramics. He built a pottery studio at his home. The home still stands today and is located in the hills above Sunset Boulevard on North Miller Drive. There, he successfully designed coveted decorative tiles for himself and for his industry friends, which, according to his niece, Joan Radabaugh, he marketed under his stage name. Around this time, Baby Peggy Montgomery, aka Diana Serra Cary, who had appeared in This Day and Age with Cromwell many years earlier, recalls visiting Cromwell at his home along with her late husband during this period to see his "beautiful ceramic screen which had won him a prize at the L.A. County Fair." Radabaugh's original tiles as well as his large decorative art deco-style wall paintings of Adam and Eve can still be seen today in the mezzanine off the balcony of the restored Pantages Theatre in Hollywood, which is today considered a noted architectural landmark.
During this period, Cromwell entertained regularly. Cromwell was a gourmet cook. According to Kim King, of Carlsbad, California, many a wonderful dinner party was enjoyed by her parents Mr. and Mrs. King in the 1950s at Cromwell's home. For example, once in particular, The Kings enjoyed Roy's specially prepared delicacy of Frogs' Legs in the French-style. (King interviewed by Bill Keane in Spring of 2006 re: her father's friendship with Cromwell. Mr. King served in the Coast Guard with R.C.)
As Radabaugh, he also wrote extensively, producing several published stories and an unfinished novel in the 1950s. After years of heavy drinking with a social circle of friends that included the likes of Christopher Isherwood, Cromwell ultimately changed his ways and became an early participant and supporter of Alcoholics Anonymous in the Los Angeles Area. Cromwell continued with his ceramics production business, with noted corporate clients during this period including The Beverly Hilton Hotel, where many of his Aztec-styled objets d'art were displayed.
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Famous quotes containing the word artist:
“I love power. But it is as an artist that I love it. I love it as a musician loves his violin, to draw out its sounds and chords and harmonies.”
—Napoleon Bonaparte (1769–1821)
“When I say artist I don’t mean in the narrow sense of the word—but the man who is building things—creating molding the earth—whether it be the plains of the west—or the iron ore of Penn. It’s all a big game of construction—some with a brush—some with a shovel—some choose a pen.”
—Jackson Pollock (1912–1956)
“The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist. The artist does not tinker with the universe; he recreates it out of his own experience and understanding of life.”
—Henry Miller (1891–1980)