Career
Bright began his career doing live television in Manhattan, at the age of 18, and made his film debut in Robert Wise's Odds Against Tomorrow (1959). He also worked on several movies early in his career with his friend, Sam Peckinpah.
In 1965, Bright starred in poet Michael McClure's two-person show, The Beard, performing in London, New York, Los Angeles, and San Francisco, where, upon closing every night, he and his female co-star Billie Dixon were arrested for uttering obscenities and simulating sexual acts. The ACLU represented Bright, citing First Amendment rights to freedom of speech. In the end, the charges against Bright were dismissed; the case was considered important for free speech in general and actors' rights in particular.
He had supporting parts in The Getaway (1972) (as a con man who tries to ply his trade on Ali MacGraw), and costarred in The Panic in Needle Park (1971) playing Al Pacino's brother Hank.
In 1972, he appeared in Francis Ford Coppola's adaptation of The Godfather as Al Neri, one of Michael Corleone (Al Pacino)'s bodyguards. With Michael as the Don of the Corleone Family, he implements a security detail that keeps Neri and Rocco Lampone close by at all times. A deleted scene in The Godfather shows former consiglieri and family attorney Tom Hagen reviewing the payroll ledgers and finding both Neri and Lampone being paid much more than their jobs are worth. It is soon revealed that both Al Neri and Rocco are in fact assassins Michael has doubling as bodyguards. At the end of the first film, his character, dressed as a police officer, murders rival mob boss Emilio Barzini and his henchmen during the film's famous baptism scene. Bright also played Neri in both of that film's two sequels, in which he murdered both Fredo Corleone (John Cazale) at the end of The Godfather Part II, and also the Vatican banker, Archbishop Gilday, at the end of The Godfather Part III. Bright is one of six actors who appeared in all three Godfather movies (the other five are Al Pacino, Diane Keaton, Talia Shire, Tere Livrano and Sofia Coppola).
Bright played another hired killer, Chicken Joe, in Sergio Leone's gangster epic Once Upon a Time in America (1984). Other roles include Pat Garrett and Billy the Kid (1973), Bring Me the Head of Alfredo Garcia (1974; uncredited), Rancho Deluxe (1975), Marathon Man (1976), Looking for Mr. Goodbar (1977), the film adaptation of Hair (1979), The Idolmaker (1980), Red Heat (1987), The Ambulance (1990), and Beautiful Girls (1995).
In 1993, he had a re-occurring role on One Life to Live as "Moose" Mulligan, rival and former underboss to longtime arch-villain and crime lord Carlo Hesser.
Bright continued to make a number of both commercial and independent films such as Jaded in 1996. He was erroneously reported by the Video Hound Movie Guide as having died in 1998. He continued working on stage and in television, appearing on such shows as Law & Order, Oz, Third Watch, and The Sopranos. These later performances showed Bright using an oxygen tank in all these appearances (although he suffered from emphysema, the tanks were for the characters). Bright was fond of Shakespeare and was noted for his performance as the title character in Richard III.
At home, he kept fish, a cat, and birds, and had a lifelong passion for reptiles.
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Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)