Work
From 1987 until 1992, Biggs played the role of Dr. Marcus Hunter on the soap opera Days of our Lives
He appeared as Dr. Stephen Franklin on the hit science fiction series Babylon 5 (1994–1998), reprising the role in the final aired episode of the spin-off show, Crusade ("Each Night I Dream of Home").
After Babylon 5, he played roles on Any Day Now and Strong Medicine, as well as the recurring role of Clayton Boudreaux on the soap opera Guiding Light.
Biggs' stage credits include The Tempest, Cymbeline and The Taming of the Shrew.
At the time of his death, he was a regular on the television series Strong Medicine; following his death, his character was killed in an unseen traffic accident. Biggs' final film appearance was in We Interrupt This Program, a short film released as a companion piece to the 2004 remake of Dawn of the Dead on DVD. (In that short film, Biggs' Babylon 5 costar, Bruce Boxleitner, is heard as the voice of the President of the United States.) He was also frequently guest starring on Tremors: The Series as a local scientist. An episode of the Nickelodeon series Drake & Josh, entitled The Gary Grill, in which Biggs appeared as a guest star (with Gary Coleman), was dedicated in his memory on October 17, 2004.
Read more about this topic: Richard Biggs
Famous quotes containing the word work:
“On a huge hill,
Cragged, and steep, Truth stands, and he that will
Reach her, about must, and about must go;
And what the hill’s suddenness resists, win so;
Yet strive so, that before age, death’s twilight,
Thy Soul rest, for none can work in that night.
To will, implies delay, therefore now do:
Hard deeds, the body’s pains; hard knowledge too
The mind’s endeavours reach, and mysteries
Are like the Sun, dazzling, yet plain to all eyes.”
—John Donne (1572–1631)
“We have not the motive to prepare ourselves for a “life-work” of teaching, of social work—we know that we would lay it down with hallelujah in the height of our success, to make a home for the right man. And all the time in the background of our consciousness rings the warning that perhaps the right man will never come. A great love is given to very few. Perhaps this make-shift time filler of a job is our life work after all.”
—Ruth Benedict (1887–1948)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)