Rhythmic Mode - References and Further Reading

References and Further Reading

• Apel, Willi. 1961. The Notation of Polyphonic Music, 900-1600, 5th edition, revised and with commentary. Publications of the Mediaeval Academy of America, no. 38. Cambridge, Mass.: Mediaeval Academy of America.
• Baltzer, Rebecca A. 2001. "Johannes de Garlandia ". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Cooper, Paul. 1973. Perspectives in Music Theory: An Historical-Analytical Approach. New York: Dodd, Mead. ISBN 0-396-06752-2.
• Articles "Rhythmic mode", "Johannes de Garlandia," "Franco of Cologne," in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2.
• Grout, Donald Jay, J. Peter Burkholder, and Claude V. Palisca. 2006. A History of Western Music, 7th edition. New York: W. W. Norton. ISBN 0-393-97991-1
• Hiley, David. 1984. "The Plica and Liquescence". In Gordon Athol Anderson (1929–1981) in memoriam: Von seinen Studenten, Freunden und Kollegen, 2 vols., 2:379–91. Wissenschaftliche Abhandlungen, no. 39. Henryville, PA: Institute of Mediæval Music.
• Hiley, David, and Thomas B. Payne. 2001. "Notation, §III, 2: Polyphony and Secular Monophony to c1260". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton & Co. ISBN 0-393-09090-6.
• Hughes, Dom Anselm. 1954a. "Music in Fixed Rhythm". In New Oxford History of Music, vol. 2: "Early Medieval Music up to 1300", edited by Dom Anselm Hughes, 311–52. London New York, & Toronto: Oxford University Press.
• Hughes, Dom Anselm. 1954b. "The Motet and Allied Forms". In New Oxford History of Music, vol. 2: "Early Medieval Music up to 1300", edited by Dom Anselm Hughes, 353–404. London New York, & Toronto: Oxford University Press.
• Parrish, Carl. 1957. The Notation of Medieval Music. London: Faber & Faber.
• Randel, Don Michael, and Willi Apel (eds.). The New Harvard Dictionary of Music. Cambridge, Massachusetts: Belknap Press of Harvard University Press, 1986. ISBN 0-674-61525-5.
• Reece, Gustave. 1940. Music in the Middle Ages. New York: W. W. Norton & Company. ISBN 0-393-09750-1.
• Riemann, Hugo. 1962. History of Music Theory, Books I and II: Polyphonic Theory to the Sixteenth Century, translated, with a preface, commentary, and notes by Raymond H. Haggh. Lincoln: University of Nebraska Press. Corrected second printing, 1966. Reprinted New York: Da Capo Press, 1974. ISBN 0-306-70637-7.
• Roesner, Edward. H. 2001. "Rhythmic Modes". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Seay, Albert. 1975. Music in the Medieval World, second edition. Englewood Cliffs, NJ: Prentice-Hall, Inc. ISBN 0-13-608133-9 (cloth); ISBN 0-13-608125-8 (pbk).
• Smith, Norman E. 1988. "The Notation of Fractio Modi". Current Musicology, nos.45–47 (Fall: Studies in Medieval Music: Festschrift for Ernest H. Sanders, edited by Peter M. Lefferts and Leeman L. Perkins): 283–304.
• Wellesz, Egon (ed.). 1957. New Oxford History of Music, vol. 1: "Ancient and Oriental Music". London & New York: Oxford University Press.