Television
Reza Kianian has acted in some television series as well. Perhaps his most memorable role in television has been his character 'Jamshid' in Shelik-e Nahaee (The Final Shot) directed by Mohsen Shahmohammadi, where 'Jamshid-style' outfits and hairstyle became popular with the youth of Iran. In Keef-e Ingilisi (The English Bag) and Doran-e Sarkeshi (The Rebel Years) he portrayed an old clergyman and a judge respectively, which are considered his most controversial roles to date.
- Shelik-e Nahaee (The Final Shot), directed by Mohsen Shahmohammadi
- Keef-e Ingilisi (The English Bag), directed by Zia'eddin Dari
- Doran-e Sarkeshi (The Rebel Years), directed by Kamal Tabrizi
- Yek Mosht Par-e Oghab (A Fistful of Eagle Feathers), directed by Asghar Hashemi
- Roozegar-e Gharib (Strange Times), directed by Kianoosh Ayari, 2002-2007
- Mokhtar Nameh (Letters of Mokhtar), directed by Davood Mir Bagheri, 2004-2008
- Ghalb-e Yakhi (Frozen Heart), directed by Saman Moghadam, 2012
- Kolah Pahlavi (Pahlavi Hat), directed by Zia'eddin Dari, 2012
- Rah-e Toolani (Long Way), directed by Reza Karimi, 2012
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Famous quotes containing the word television:
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . todays children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)