Child Prodigy
Reynaldo Hahn was born in Caracas, Venezuela, the youngest of twelve children. Reynaldo's father Carlos was an affluent engineer, inventor, and businessman of German-Jewish extraction; his mother, Elena María de Echenagucia, was a Venezuelan of Spanish, (Basque) origin, and as most wealthy families descended from Spanish colonists in that country. The increasingly volatile political atmosphere in South America during the 1870s caused his father to retire and leave Venezuela.
Hahn's family moved to Paris when he was three years old. Although he showed interest in his native music of Caracas in his youth, France would "determine and define Hahn's musical identity in later life". The city and its cultural resources: the Paris Opéra, the Paris Opéra Ballet, the Opéra-Comique, in addition to the nexus of artists and writers, proved an ideal setting for the precocious Hahn.
A child prodigy, Reynaldo made his début at the salon of the eccentric Princess Mathilde (Napoleon's niece), accompanying himself on the piano as he sang arias by Jacques Offenbach. At the age of eight, Hahn composed his first songs.
Despite the Paris Conservatoire's tradition of antipathy towards child prodigies—Franz Liszt had famously been rebuffed by the school many years before—Hahn entered the school at the age of ten. His teachers included Jules Massenet, Charles Gounod, Camille Saint-Saëns and Émile Descombes. Alfred Cortot and Maurice Ravel were fellow students.
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“We live by our imaginations, by our admirations, by our sentiments. The child walks amid heaps of illusions, which he does not like to have disturbed. The boy, how sweet to him his fancy! how dear the story of barons and battles! What a hero he is, whilst he feeds on his heroes! What a debt is his to imaginative books!”
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