Writing Music and Songs For Movies
Rey was film scoring movies during his singing career, but after the trouble his impostor has caused, Rey focused on his musical directing career. He particularly liked scoring music for action films, giving fight scenes and chase sequences fast paced, rock-themed music, which reflects his roots as a rock band member.
Rey's songs made marks also as theme songs and movie titles. These includes several Sharon Cuneta movies such as Maging Sino Ka Man, Pangako sa 'Yo, Kahit Wala Ka Na', Tayong Dalawa; Vilma Santos’ Sinasamba Kita, Romansa, Hiwalay; Robin Padilla’s Carnap King, Barumbado, and Baby Ama; Romnick Sarmenta’s Pasong Tirad, The Gregorio del Pilar Story, Aleck Bovick's Tampisaw and most of her earliest films.
There are very few people are aware that Rey wrote music for movies, even fewer are aware that he also wrote music for R-18 "Bold" films. He accepted making music for movies and considered it an opportunity, as these projects usually pitted his songwriting skills to follow fresh and often unusual themes and topics, often deviating from pop love songs which he was usually typecast into.
The theme song "Ambon" (Raindrop) from the film Tampisaw emphasizes on the singer's hunger and deprivation of love, and that a single "raindrop" of love would be enough for her to live on.
The theme song "Nagpapanggap" (Pretending/Deceiving) from the film Kerida (The Mistress) depicts a person's awareness that her lover is only pretending to love her, and yet she has this pragmatic acceptance and is even thankful that she was loved, no matter how false that love may be.
The theme song "Sa Gitna ng Buhay Ko" (In The Middle of My Life) from the film Naglalayag (Silent Passage) follows the movie's theme of a middle-aged woman falling in love with a man half her age. The song relates to her life as the times of the day, asking questions such as, "why did love arrive at only NOON?"
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Famous quotes containing the words writing, music, songs and/or movies:
“Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic.”
—Raymond Chandler (1888–1959)
“Since a man must bring
To music what his mother spanked him for
When he was two ...”
—Gwendolyn Brooks (b. 1917)
“What wondrous love is this
That caused the Lord of bliss
To bear the dreadful curse for my soul”
—Unknown. “What Wondrous Love is this!” L. 3-5, Dupuy’s Hymns and Spiritual Songs (1811)
“The movies today are too rich to have any room for genuine artists. They produce a few passable craftsmen, but no artists. Can you imagine a Beethoven making $100,000 a year?”
—H.L. (Henry Lewis)