History
Although the ability to reverse the playback of recorded sounds had been known since the early days of gramophone records and can be achieved by simply placing the needle on the record and spinning it counter-clockwise, reverse effects were regarded largely as a curiosity and were little used until the 1950s. In the 1950s, the development of the experimental music genre known as musique concrète and a simultaneous spread of the use of tape recorders in recording studios led to tape music compositions, in which music was composed on tape using techniques including reverse tape effects.
The reverse tape technique became especially popular during the psychedelic music era of the mid-to-late 1960s, when musicians and producers exploited a vast range of special audio effects.
Read more about this topic: Reverse Tape Effects
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“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)
“Certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment’s comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.”
—Henry David Thoreau (1817–1862)
“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
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