Station Ethos
ResonanceFM describes itself as 'the world’s first radio art station' with a brief to provide a radical alternative to the universal formulae of mainstream broadcasting. Resonance 104.4 fm features programmes made by musicians, artists and critics who represent the diversity of London’s arts scenes, with regular weekly contributions from nearly two hundred musicians, artists, thinkers, critics, activists and instigators; plus numerous unique broadcasts by artists on the weekday “Clear Spot”.
The station presents material ranging from a programme presented by the staff of the experimental music magazine The Wire to Calling All Pensioners, which aims to inform the elderly about local events and benefits entitlement. Live music sessions are featured on shows such as Hello Goodbye, You Are Hear, Hooting Yard on the Air, and Glass Shrimp. Other shows include foreign-language programmes aimed at communities in London who are not served by other broadcasters.
In addition to locally produced programming, Resonance is a member of Radia and a rebroadcaster of Democracy Now!.
Resonance FM has received a Sony Award nomination for The Good Drugs Guide, a documentary series presented by Piers Gibbon and David McCandless. The station has been profiled in the pages of The Guardian, The Independent on Sunday, The Daily Telegraph and the Morning Star amongst others.
The station won the Radio Academy Nations and Regions Award for London for three consecutive years between 2009 and 2011
Read more about this topic: Resonance FM
Famous quotes containing the words station and/or ethos:
“I introduced her to Elena, and in that life-quickening atmosphere of a big railway station where everything is something trembling on the brink of something else, thus to be clutched and cherished, the exchange of a few words was enough to enable two totally dissimilar women to start calling each other by their pet names the very next time they met.”
—Vladimir Nabokov (1899–1977)
“Reading more than life teaches us to recognize ethos and pathos.”
—Mason Cooley (b. 1927)