Differences Between The Stage and Film Versions
- "Goodbye Love" was filmed in its entirety, but the second half was cut from the film because Columbus considered it somewhat of an emotional overload, as he states on the DVD's commentary track.
- The film leaves ambiguous the death of Roger's girlfriend April, who dies before Rent begins. In the film, she is seen reading a doctor's report that she is HIV positive; it is stated that she has died, but nothing more is said. In the stage version, Mark explicitly states that April committed suicide by slitting her wrists in the bathroom, and Roger found out about his HIV in the suicide note. Chris Columbus states in the DVD commentary that a scene featuring April lying in the bathtub with her wrists slit was filmed, but cut because he thought it would be "too much."
Read more about this topic: Rent (film Soundtrack)
Famous quotes containing the words differences between the, differences between, differences, stage, film and/or versions:
“What strikes many twin researchers now is not how much identical twins are alike, but rather how different they are, given the same genetic makeup....Multiples don’t walk around in lockstep, talking in unison, thinking identical thoughts. The bond for normal twins, whether they are identical or fraternal, is based on how they, as individuals who are keenly aware of the differences between them, learn to relate to one another.”
—Pamela Patrick Novotny (20th century)
“The extent to which a parent is able to see a child’s world through that child’s eyes depends very much on the parent’s ability to appreciate the differences between herself and her child and to respect those differences. Your own children need you to accept them for who they are, not who you would like them to be.”
—Lawrence Balter (20th century)
“The mother must teach her son how to respect and follow the rules. She must teach him how to compete successfully with the other boys. And she must teach him how to find a woman to take care of him and finish the job she began of training him how to live in a family. But no matter how good a job a woman does in teaching a boy how to be a man, he knows that she is not the real thing, and so he tends to exaggerate the differences between men and women that she embodies.”
—Frank Pittman (20th century)
“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul.”
—André Maurois (1885–1967)
“A film is a petrified fountain of thought.”
—Jean Cocteau (1889–1963)
“The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.”
—Stephen Bayley (b. 1951)