Remote virtual media is a method of connecting a remote media source (i.e. CD-ROM drive, hard disk drive, floppy disk drive, or virtual implementation of any of them) to a local system. The local system can access the remote (and possibly virtual) media and can potentially read from and write to that media as if it were physical and local. Examples of remote media include a physical disk drive of any type available remotely to a local computer. If the remote media is also virtual, it may be implemented as a file served sector by sector over a communications link such as Ethernet to the local system.
Remote virtual media is a useful tool for those who manage large numbers of computers, such as commercial IT data center managers. A local computer can boot to one of many virtual disks that can perform any variety of tasks, such as virus scans of the local physical drive and patch management—or even complete installation of the local operating system. Remote media and remote virtual media are becoming common features for standards-based server platform management subsystems such as those that support the OPMA interface.
Famous quotes containing the words remote, virtual and/or media:
“I have no expectation that any man will read history aright who thinks that what has been done in a remote age, by men whose names have resounded far, has any deeper sense than what he is doing to-day.”
—Ralph Waldo Emerson (1803–1882)
“Tragedy dramatizes human life as potentiality and fulfillment. Its virtual future, or Destiny, is therefore quite different from that created in comedy. Comic Destiny is Fortune—what the world will bring, and the man will take or miss, encounter or escape; tragic Destiny is what the man brings, and the world will demand of him. That is his Fate.”
—Susanne K. Langer (1895–1985)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)