Culture
Togo's culture reflects the influences of its many ethnic groups, the largest and most influential of which are the Ewe, Mina, Tem, Tchamba and Kabre.
Despite the influences of Christianity and Islam, over half of the people of Togo follow native animistic practices and beliefs.
Ewe statuary is characterized by its famous statuettes which illustrate the worship of the ibeji. Sculptures and hunting trophies were used rather than the more ubiquitous African masks. The wood-carvers of Kloto are famous for their "chains of marriage": two characters are connected by rings drawn from only one piece of wood.
The dyed fabric batiks of the artisanal center of Kloto represent stylized and coloured scenes of ancient everyday life. The loincloths used in the ceremonies of the weavers of Assahoun are famous. Works of the painter Sokey Edorh are inspired by the immense arid extents, swept by the harmattan, and where the laterite keeps the prints of the men and the animals. The plastics technician Paul Ahyi is internationally recognized today. He practices the "zota", a kind of pyroengraving, and his monumental achievements decorate Lomé.
Read more about this topic: Religion In Togo
Famous quotes containing the word culture:
“The time will come when the evil forms we have known can no more be organized. Man’s culture can spare nothing, wants all material. He is to convert all impediments into instruments, all enemies into power.”
—Ralph Waldo Emerson (1803–1882)
“I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than as a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that.”
—Henry David David (1817–1862)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)