Culture
Kurdish culture is a legacy from the various ancient peoples who shaped modern Kurds and their society, but primarily of three layers of indigenous (Hurrian), ancient Iranian, and Islamic roots. Kurdish culture is close to that of other Iranian peoples. Kurds, for instance, also celebrate Newroz (March 21) as New Year's Day. Kurdish films mainly evoke poverty and the lack of rights of Kurdish people in the region. Yılmaz Güney (Yol ) and Bahman Qubadi (A Time for Drunken Horses, Turtles Can Fly) are among the better-known Kurdish directors.
In contrast to many neighboring Muslim populations, Kurdish women are not secluded and do not wear the face veil. Kurdish men and women participate in mixed-gender dancing during feasts, weddings and other social celebrations. Major Soane, a British colonial officer during World War I, noted that this is unusual among Islamic people and pointed out that in this respect Kurdish culture is more akin to that of eastern Europe than to their West Asian counterparts.
Read more about this topic: Religion In Kurdistan
Famous quotes containing the word culture:
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)