Culture
Kurdish culture is a legacy from the various ancient peoples who shaped modern Kurds and their society, but primarily of three layers of indigenous (Hurrian), ancient Iranian, and Islamic roots. Kurdish culture is close to that of other Iranian peoples. Kurds, for instance, also celebrate Newroz (March 21) as New Year's Day. Kurdish films mainly evoke poverty and the lack of rights of Kurdish people in the region. Yılmaz Güney (Yol ) and Bahman Qubadi (A Time for Drunken Horses, Turtles Can Fly) are among the better-known Kurdish directors.
In contrast to many neighboring Muslim populations, Kurdish women are not secluded and do not wear the face veil. Kurdish men and women participate in mixed-gender dancing during feasts, weddings and other social celebrations. Major Soane, a British colonial officer during World War I, noted that this is unusual among Islamic people and pointed out that in this respect Kurdish culture is more akin to that of eastern Europe than to their West Asian counterparts.
Read more about this topic: Religion In Kurdistan
Famous quotes containing the word culture:
“One of the oddest features of western Christianized culture is its ready acceptance of the myth of the stable family and the happy marriage. We have been taught to accept the myth not as an heroic ideal, something good, brave, and nearly impossible to fulfil, but as the very fibre of normal life. Given most families and most marriages, the belief seems admirable but foolhardy.”
—Jonathan Raban (b. 1942)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)