Writings
Despite his short life and the hardships imposed during his imprisonment, Arenas produced a significant body of work. In addition to significant poetic efforts ("El Central", "Leprosorio"), his Pentagonia is a set of five novels that comprise a "secret history" of post-revolutionary Cuba. It includes Singing from the Well (in Spanish also titled "Celestino before Dawn"), Farewell to the Sea (whose literal translation is "The Sea Once More"), Palace of the White Skunks, the Rabelaisian Color of Summer, and The Assault. In these novels Arenas’ style ranges from a stark realist narrative and high modernist experimental prose to absurd, satiric humor. His second novel, Hallucinations ("El Mundo Alucinante"), rewrites the story of the colonial dissident priest Fray Servando Teresa de Mier.
In interviews, his autobiography, and in some of his fiction work itself, Arenas draws explicit connections between his own life experience and the identities and fates of his protagonists. As is evident and as critics such as Francisco Soto have pointed out, the "child narrator" in "Celestino", Fortunato of "The Palace...", Hector of "Farewell..", and the triply named "Gabriel/Reinaldo/Gloomy Skunk" character in "Color" appear to live progressive stages of a continuous life story that is also linked to Arenas's own. In turn, Arenas consistently links his individual narrated life to the historical experience of a generation of Cubans. A constant theme in his novels and other writing is the condemnation of the Castro government, although Arenas also critiques the Catholic Church, US culture and politics, and a series of literary personalities in Havana and internationally, particularly those who he believed had betrayed him and suppressed his work (Sévero Sarduy and Ángel Rama are notable examples). His "Thirty truculent tongue-twisters", which he claims circulated in Havana and which are reprinted in "The Color of Summer", mock everyone from personal friends who he suggests may have spied on him to figures such as Nicolás Guillén, Alejo Carpentier, Miguel Barnet, Sarduy and of course Fidel himself.
His autobiography, Before Night Falls was on the New York Times list of the ten best books of the year in 1993. In 2000 this work was made into a film, directed by Julian Schnabel, in which Arenas was played by Javier Bardem. An opera based on the autobiography with libretto and music by Cuban-American composer Jorge Martin was premiered by the Fort Worth Opera on May 29, 2010, with baritone Wes Mason singing the role of Reinaldo Arenas. He is related to Gilbert, Javier, Armando Arenas. And is also related to Hamzah Salaam.
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