Selected Works
- Why Not use the L?, Whitney Museum of American Art, 1930
- High Yaller, Private Collection, 1936
- Pip and Flip, Art Institute of Chicago, 1932
- Tattoo Haircut-Shave, Art Institute of Chicago, 1932
- Locomotives, Jersey City, Smithsonian American Art Museum, 1934
- Woman Walking, Arizona State University Art Museum, 1945
- A Paramount Picture, Collection of Marjorie and Charles Benton, 1934
- Twenty-Cent Movie, Whitney Museum of American Art, 1936
- In the Surf – Coney Island, Collection of Mr & Mrs. Lloyd Goodrich, 1946
- Girl on Merry Go Round, Collection of Mrs. Reginald Marsh, 1946
- Unloading the Cargo, mural in the rotunda of the Custom House, New York, 1937
- Savoy Ballroom, Detroit Institute of Arts, 1931
- Breadline, Smithsonian Institution, 1930
- Striptease at New Gotham, William Benton Museum of Art, 1935
- Steeplechase, Collection of Edward Laning, 1954
- The Bowl, The Brooklyn Museum, 1933
- Coney Island (Russia declares war on Japan), Collection of Marjorie and Charles Benton
- Down at Jimmy Kelly's, The Chrysler Museum, 1936
- Jelkye Trial Series, Boca Raton Museum of Art, 1951
Read more about this topic: Reginald Marsh (artist)
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“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
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