Reel He ART International Film Festival - Program

Program

ReelHeART accepts films of all genres, countries and film lengths. ReelHeART programs on content. ReelHeART has 12 categories of film competition: Feature Narrative, Feature Documentary, Short or Long Form Narrative, Short or Long Form Documentary, Dance and/or Music Related Category, Animation and New Media Category, Experimental Category, Music Video Category and "Off The Shelf". ReelHeART has two screenplay competitions. One for feature scripts of 120 pages or less. One for short scripts of 15 pages or less.

In 2007, ReelHeART introduced a Feature Screenplay Competition. ReelHeART was the first film festival to feature rehearsed live reads for the top three feature scripts in front of a festival audience.

In 2007, two of the top three scripts were by the same writer, Joe Acton of Washington State. In 2011, two of the top three scripts were by the same writing team, George Sanders and Shawn Curran of New York, NY. In 2011, the first international feature screenwriter top 3 winner was Steven Hart from Glasgow, Scotland, United Kingdom. In 2012, short screenplays got the same treatment as feature screenplays getting a rehearsed cast-to-type "Live read" on front of a festival audience.

Read more about this topic:  Reel He ART International Film Festival

Famous quotes containing the word program:

    “Reporters for tabloid newspapers beat a path to the park entrance each summer when the national convention of nudists is held, but the cult’s requirement that visitors disrobe is an obstacle to complete coverage of nudist news. Local residents interested in the nudist movement but as yet unwilling to affiliate make observations from rowboats in Great Egg Harbor River.”
    —For the State of New Jersey, U.S. public relief program (1935-1943)

    “At Hayes’ General Store, west of the cemetery, hangs an old army rifle, used by a discouraged Civil War veteran to end his earthly troubles. The grocer took the rifle as payment ‘on account.’”
    —Administration for the State of Con, U.S. public relief program (1935-1943)

    “Indigenous to Minnesota, and almost completely ignored by its people, are the stark, unornamented, functional clusters of concrete—Minnesota’s grain elevators. These may be said to express unconsciously all the principles of modernism, being built for use only, with little regard for the tenets of esthetic design.”
    —Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)