History and Development
Redemptoris Mater seminaries are promoted as a fruit of the Second Vatican Council, as well as a product of the initiative of Pope John Paul II. The Second Vatican Council's decree on the ministry and life of priests, Presbyterorum ordinis, says:
Let priests remember, therefore, that the care of all churches must be their intimate concern. Hence, priests of such dioceses rich in vocations should show themselves willing and ready, with the permission of their own ordinaries, to volunteer for work in other regions, missions or endeavors which are poor in numbers of clergy. ... To accomplish this purpose there should be set up international seminaries ... by means of which, according to their particular statutes and always saving the right of bishops, priests may be trained and incardinated for the good of the whole Church.
This idea was praised by Cardinal Pio Laghi, then Prefect of the Congregation for Catholic Education, who said:
The decree Presbyterorum Ordinis (n. 10) considers that to resolve the problem of the great shortage of priests in certain regions, "it is appropriate also to institute international seminaries". This idea has found application in the Redemptoris Mater seminaries which prepare diocesan priests for the new evangelization according to the programme of the Neo-Catechumenal Way.
The first of these seminaries was started in Rome in 1988. It was canonically erected by Cardinal Ugo Poletti, who was at that time the Vicar of the Holy Father in Rome.
Read more about this topic: Redemptoris Mater (seminary)
Famous quotes containing the words history and/or development:
“Bias, point of view, furyare they ... so dangerous and must they be ironed out of history, the hills flattened and the contours leveled? The professors talk ... about passion and point of view in history as a Calvinist talks about sin in the bedroom.”
—Catherine Drinker Bowen (18971973)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (18451923)