Recurring Saturday Night Live Characters and Sketches (listed Chronologically)

Recurring Saturday Night Live Characters And Sketches (listed Chronologically)

The following is a list of recurring Saturday Night Live sketches, organized by the season and date in which the sketch first appeared.

For an alphabetical list, see Recurring Saturday Night Live characters and sketches (listed alphabetically).

Season: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38

Read more about Recurring Saturday Night Live Characters And Sketches (listed Chronologically):  1975–1976, 1976–1977, 1977–1978, 1978–1979, 1979–1980, 1980–1981, 1981–1982, 1982–1983, 1983–1984, 1984–1985, 1985–1986, 1986–1987, 1987–1988, 1988–1989, 1989–1990, 1990–1991, 1991–1992, 1992–1993, 1993–1994, 1994–1995, 1995–1996, 1996–1997, 1997–1998, 1998–1999, 1999–2000, 2000–2001, 2001–2002, 2002–2003, 2003–2004, 2004–2005, 2005–2006, 2006–2007, 2007–2008, 2008–2009, 2009–2010, 2010–2011, 2011–2012, 2012–2013

Famous quotes containing the words characters, sketches, live, night, saturday and/or recurring:

    No author has created with less emphasis such pathetic characters as Chekhov has....
    Vladimir Nabokov (1899–1977)

    Giles Lacey: I say, old boy, I’m trying to find exactly what your wife does do.
    Maxim de Winter: She sketches a little.
    Giles Lacey: Sketches. Oh not this modern stuff, I hope. You know, portrait of a lamp shade upside down to represent a soul in torment.
    Robert E. Sherwood (1896–1955)

    But country folks who live beneath
    The shadow and the steeple;
    The parson and the parson’s wife,
    And mostly married people;
    Arthur Hugh Clough (1819–1861)

    I dreamed night after night that everyone in the world was dead excepting myself, and that upon me rested the responsibility of making a wagon wheel.
    Jane Addams (1860–1935)

    The return of the asymmetrical Saturday was one of those small events that were interior, local, almost civic and which, in tranquil lives and closed societies, create a sort of national bond and become the favorite theme of conversation, of jokes and of stories exaggerated with pleasure: it would have been a ready- made seed for a legendary cycle, had any of us leanings toward the epic.
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    America is the world’s living myth. There’s no sense of wrong when you kill an American or blame America for some local disaster. This is our function, to be character types, to embody recurring themes that people can use to comfort themselves, justify themselves and so on. We’re here to accommodate. Whatever people need, we provide. A myth is a useful thing.
    Don Delillo (b. 1926)