Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Entertainment Weekly | C |
| The Independent | (unfavorable) |
| Q | |
| Rolling Stone | |
| Spin | (6/10) |
Writing for Rolling Stone, Anthony DeCurtis gave the album a star rating of four out of five stars. He said that the band's second album develops the sounds of August and Everything After and that they "largely achieve their serious ambitions". He praised Adam Duritz' lyrics and called the album "deeply satisfying".
In a review for Allmusic, Stephen Thomas Erlewine gave the album a rating of four stars out of five. He called it a "self-consciously challenging response" to their successful debut album. He described the songs as "slightly more somber" than those on the first album but "more affecting". He noted an occasional "pretentiousness" on the album but praised "A Long December" as particularly articulate.
Andy Gill from The Independent gave the album a more negative review. He criticized Duritz' song-writing as "self-pity" and called him a "classic solipsistic soul-barer, he just won't shut up about himself". He called the album "bland" with "obvious" influences (including R.E.M., Bruce Springsteen and Lynyrd Skynyrd). Gill had some praise for producer Gil Norton's work on the album.
In a review for Entertainment Weekly, Ken Tucker also had negative feelings about the album, and gave it a "C" grade. He criticized Duritz' "yowling" and "moans" and called Counting Crows a "pastiche of its influences".
Read more about this topic: Recovering The Satellites
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)