Reciting Tones in Other Chant Traditions
Some traditions of Qur'an reading utilize reciting tones, although it should be clarified that in Islam, Qur'anic recitation is not considered a form of music. For example, the tulaba ("students of Islam" in Arabic) of Morocco recite the Qur'an and chant hymns for special occasions using one or two reciting tones.
Among the Yemenite Jews, cantillation of the Torah follows a distinctive practice that may be of great antiquity. Typical cantillation uses a system of signs, each of which represents a fixed musical motif. Yemenite chant, however, uses a different set of motifs, which only affect the final words in phrases. All other words are sung to reciting tones.
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“A tattered copy of Johnson’s large Dictionary was a great delight to me, on account of the specimens of English versifications which I found in the Introduction. I learned them as if they were so many poems. I used to keep this old volume close to my pillow; and I amused myself when I awoke in the morning by reciting its jingling contrasts of iambic and trochaic and dactylic metre, and thinking what a charming occupation it must be to “make up” verses.”
—Lucy Larcom (1824–1893)
“‘Tis not that thy mien is stately,
‘Tis not that thy tones are soft;”
—Charles Stuart Calverley (1831–1884)
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For the sweetest, wisest soul of all my days and
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Lilac and star and bird twined with the chant of my soul,
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—Walt Whitman (1819–1892)
“But generally speaking philistinism presupposes a certain advanced state of civilization where throughout the ages certain traditions have accumulated in a heap and have started to stink.”
—Vladimir Nabokov (1899–1977)