Reception
Steve Craig from the University of North Texas considered Rebecca a parody of femininity for rejecting Sam's advances and attempting to marry a tycoon. Bill Simmons, who wrote previously for ESPN, considered her one of his two least favorite characters, along with Lilith Sternin. A syndicated television columnist from Chicago dubbed Rebecca as redundant and "annoying", especially in the seventh season (1988–1989). J.D. Reed from People called her a "neurotic overachiever". Nevertheless, Rick Marin from The Washington Times praised Kirstie Alley for bringing life into Rebecca Howe, making Rebecca a sympathetic "loser" who has full of ideals but lacks success, and her bringing more physical comedy than Shelley Long did. Bill Carter from The New York Times considered Diane Chambers and Rebecca two different people. Carter depicted Diane as an intellectual, old-fashioned, and snobbish, while he considered Rebecca the "lovable loser" business manager, who was unlucky in her career and relationships.
This role earned Kirstie Alley a Golden Globe Award in 1991 as the Best Actress in a Comedy or Musical Series. It also earned her an Emmy Award in 1991 as an Outstanding Lead Actress in a Comedy Series.
Read more about this topic: Rebecca Howe
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)