Description
The studio's Big Room is one of the largest control rooms in the world. Adjoining the Big Room is the Wood Room. Designed to function as a flexible live room, the Wood Room features a more lively acoustic and a booth, mezzanine floor and movable acoustic screens.
Artists including Manic Street Preachers, Kanye West, Jay-Z, Beyoncé Knowles, Muse, Laura Marling, Crowded House, Take That, Sade, New Order, Tom Jones, Starsailor, Stereophonics, Kylie Minogue, Patrick Wolf, Vanessa Carlton and Natalie Duncan have used the studio complex.
In January 2008 work was completed on the Big Room to provide a multi-purpose facility that could also accommodate final mixdowns for film and television projects. A separate foley recording studio was also created around that time and work to renovate and upgrade the foley studio was completed in Autumn 2010. Real World Studios has been host to film and TV projects including Quantum of Solace, The Golden Compass, Green Zone and The No. 1 Ladies' Detective Agency.
Read more about this topic: Real World Studios
Famous quotes containing the word description:
“I was here first introduced to Joe.... He was a good-looking Indian, twenty-four years old, apparently of unmixed blood, short and stout, with a broad face and reddish complexion, and eyes, methinks, narrower and more turned up at the outer corners than ours, answering to the description of his race. Besides his underclothing, he wore a red flannel shirt, woolen pants, and a black Kossuth hat, the ordinary dress of the lumberman, and, to a considerable extent, of the Penobscot Indian.”
—Henry David Thoreau (1817–1862)
“To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.”
—Oscar Wilde (1854–1900)
“Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.”
—Willard Van Orman Quine (b. 1908)