Reception
On Mikey Kelley's vocal performance as Ratchet in Ratchet & Clank, Douglass C. Perry of IGN commented that "while Ratchet strives for that perfect dude-like teenager vibe, the voice actor generally hits the mark." Ratchet's in-game model in Ratchet & Clank, particularly his facial animations and fur, was praised by Louis Bedigian of GameZone. Gavin Frankle of Allgame found it hard to form an emotional bond with Ratchet or Clank, saying that Ratchet is "your typical teenager who desires nothing more than excitement and adventure". Benjamin Turner of GameSpy was highly critical of Ratchet, citing his uninteresting aesthetic design and rude, immature and immoral demeanor as reasons for his ire. Johnny Liu of Game Revolution noted that Ratchet "starts out with a blue-collar attitude, but he's mostly there for deft observations and cutting remarks" and appreciated Ratchet not being "pigeonholed as a typical goody-goody", but concluded that he wasn't very fleshed out.
Critics took note of Ratchet's improved character in subsequent games. Douglass C. Perry of IGN commented that Ratchet "is no longer an angry, selfish teenage furry creature from outer space. He's a commando, a little wiser, a little more forgiving and a lot more palatable. Though still furry..." Carlos McElfish of GameZone, describing Ratchet's in the previous game as a "laughably confident, smart-alecky hot-shot", commented that Ratchet's new voice forces a psychological reset in the minds of players. Jeremy Dunham of IGN noted that Ratchet's "Why me?" delivery is "spot on".
Read more about this topic: Ratchet (Ratchet & Clank)
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
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—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)