Rashid Khalidi - Criticism

Criticism

New York Times columnist Clyde Haberman said of Khalidi's book The Iron Cage: The Story of the Palestinian Struggle for Statehood: "But he makes this more than an exercise in self-pity by refusing to let the Palestinians themselves off the hook. If they indeed live in an iron cage, well, Khalidi says, they helped mold the bars themselves" and asks "When he talks about repressive Israeli measures having been 'sometimes imposed on the pretext of security,' critics are bound to ask: What pretext? How many suicide bombings of cafes and pizza shops does it take before a country has a right to end them by any method that seems to work?" Efraim Karsh said about the same book "One would have hoped that after 80 years of stubborn adherence to the 'one-state solution' and an equally adamant rejection of the 'two-state solution,' which have resulted in Palestinian statelessness, all but the most fanatically self-deluded would grasp the root causes of the Palestinian debacle — not least a historian purporting to redress the 'continuing refusal to look honestly at what has happened in this small land over the past century or so.'"

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    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
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