Style
Alfred Frankenstein has called Raphaelle Peale "the first really distinguished still-life specialist to emerge in this country, and he is one of the four major still-life painters of the nineteenth century in the United States." His style may have been influenced by Spanish still life paintings he saw on his trip to Mexico and by the two works by Juan Sanchez Cotan, exhibited at the Pennsylvania Academy in 1816. Most of Peale's paintings are small in scale, and depict a few objects—usually foodstuffs—arranged on a tabletop before a darkened background. A notable exception is his trompe l'oeil, Venus Rising from the Sea—A Deception (also entitled After the Bath; 1822).
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Famous quotes containing the word style:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
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