Style
Alfred Frankenstein has called Raphaelle Peale "the first really distinguished still-life specialist to emerge in this country, and he is one of the four major still-life painters of the nineteenth century in the United States." His style may have been influenced by Spanish still life paintings he saw on his trip to Mexico and by the two works by Juan Sanchez Cotan, exhibited at the Pennsylvania Academy in 1816. Most of Peale's paintings are small in scale, and depict a few objects—usually foodstuffs—arranged on a tabletop before a darkened background. A notable exception is his trompe l'oeil, Venus Rising from the Sea—A Deception (also entitled After the Bath; 1822).
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Famous quotes containing the word style:
“The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their childrens futurefear that theyll lose control, that the children will wind up on the streets or, worse yet, in jail.”
—Lillian Breslow Rubin (20th century)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the I really want to know what your life is like without giving up any of my privileges
to live it white women
the I want to live my white life with Third World womens style and keep my skin
class privileges dykes”
—Lorraine Bethel, African American lesbian feminist poet. What Chou Mean We, White Girl? Lines 49-54 (1979)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergottes] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (18711922)