Musical Style and Influences
Although Rammstein is often generalized as Neue Deutsche Härte (New German Hardness), their music spans a variety of related styles, including heavy metal, industrial music, and groove metal.
Rammstein's style has tended to divide critics. New Zealand's Southland Times (December 17, 1999) suggested that Till Lindemann's "booming, sub-sonic voice" would send "the peasants fleeing into their barns and bolting their doors", while the New York Times (January 9, 2005) commented that on the stage, "Mr. Lindemann gave off an air of such brute masculinity and barely contained violence that it seemed that he could have reached into the crowd, snatched up a fan, and bitten off his head." Stephen Thomas Erlewine of Allmusic commented that "their blend of industrial noise, grinding metal guitars, and operatic vocals is staggeringly powerful." "We just push boundaries", said Till Lindemann in an interview with rock magazine Kerrang!. "We can't help it if people don't like those boundaries being pushed."
Read more about this topic: Rammstein Single Collection
Famous quotes containing the words musical, style and/or influences:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Professors of literature, who for the most part are genteel but mediocre men, can make but a poor defense of their profession, and the professors of science, who are frequently men of great intelligence but of limited interests and education, feel a politely disguised contempt for it; and thus the study of one of the most pervasive and powerful influences on human life is traduced and neglected.”
—Yvor Winters (1900–1968)