Plot
Raja (Raghava Lawrence), a native of Coutrallam, is a happy-go-lucky-youngster. Tragedy strike his life when his father loses his hand when a doctor in an inebriated condition operates on him. As expected his father is gagged by cops and lawyers. They assault him. In his death bed, his father gets a promise that he would make his three brothers into a cop, lawyer and doctor. Though Raja realises his mission, he falls for his own acts. The trio (who become doctor, policeman and a lawyer) gang up with a baddie Shyla (Mumtaz), a gangster, who rises to become a Minister. It is up to Raja to end their atrocities and teach them a lesson. In between, Raja comes across young women (Snigdha, Kamna Jethmalani and Meenakshi) and sings foot-tapping romantic duets with kamna a nurse whose dress changing and nudity is captured by his doctor brother and he helps her.Shyla dislikes Raja as he had attacked her earlier.Shyla had shared her bed earlier to many for her position now.
Read more about this topic: Rajadhi Raja (2009 Film)
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)