Production
Roger Birnbaum was the first studio executive to give the film a green-light; he did so immediately after Barry Morrow pitched the story. Birnbaum received "special thanks" in the film's credits.
Agents at CAA sent the script to Hoffman and Bill Murray, envisioning Murray in the title role and Hoffman in the role eventually portrayed by Cruise. Martin Brest, Steven Spielberg, and Sydney Pollack were directors also involved in the film.
Principal photography included nine weeks of filming on location. Other portions were shot in the desert near Palm Springs, California.
Almost all of the principal photography occurred during the 1988 Writers Guild of America strike; one key scene that was affected by the lack of writers was the film's final scene. Bass delivered his last rough cut of the script only hours before the strike started and spent no time on the set.
Read more about this topic: Rain Man
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)