Effect On Popular Culture
Rain Man's portrayal of the main character's condition has been seen as inaugurating a common and incorrect media stereotype that people on the autism spectrum typically have savant skills, and references to Rain Man, in particular Dustin Hoffman's performance, have become a popular shorthand for autism and savantism. However, Rain Man has also been seen as dispelling a number of other misconceptions about autism and improving public awareness of the failure of many agencies to accommodate people with autism and make use of the abilities they do have, regardless of whether they are savant skills. Rain Man has been listed as one of the best movies on the subject of autism.
The film is also known for popularizing the misconception that card counting is illegal in the United States.
In the course of the film, it is claimed that Qantas is the only commercial airline that has never had an aircraft crash. While it is true that the company has neither lost a jet airliner nor had any jet fatalities, it had eight fatal accidents and an aircraft shot down between 1927 and 1945, with the loss of 63 people. To this date, the last fatal accident suffered by Qantas was in 1951. The scene in which Raymond reels off a list of statistics of fatal airline crashes was cut by most airlines when showing the film in-flight – except for Qantas, which even promoted one of the movie's writers to first class when he traveled on their airline.
The use of the surname "Babbitt" for the brothers may be in homage to the Sinclair Lewis novel of the same name; Zenith, the city in the novel, is generally believed to be based on Cincinnati.
Read more about this topic: Rain Man
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“As for charity, it is a matter in which the immediate effect on the persons directly concerned, and the ultimate consequence to the general good, are apt to be at complete war with one another.”
—John Stuart Mill (1806–1873)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
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“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)