Effect On Popular Culture
Rain Man's portrayal of the main character's condition has been seen as inaugurating a common and incorrect media stereotype that people on the autism spectrum typically have savant skills, and references to Rain Man, in particular Dustin Hoffman's performance, have become a popular shorthand for autism and savantism. However, Rain Man has also been seen as dispelling a number of other misconceptions about autism and improving public awareness of the failure of many agencies to accommodate people with autism and make use of the abilities they do have, regardless of whether they are savant skills. Rain Man has been listed as one of the best movies on the subject of autism.
The film is also known for popularizing the misconception that card counting is illegal in the United States.
In the course of the film, it is claimed that Qantas is the only commercial airline that has never had an aircraft crash. While it is true that the company has neither lost a jet airliner nor had any jet fatalities, it had eight fatal accidents and an aircraft shot down between 1927 and 1945, with the loss of 63 people. To this date, the last fatal accident suffered by Qantas was in 1951. The scene in which Raymond reels off a list of statistics of fatal airline crashes was cut by most airlines when showing the film in-flight – except for Qantas, which even promoted one of the movie's writers to first class when he traveled on their airline.
The use of the surname "Babbitt" for the brothers may be in homage to the Sinclair Lewis novel of the same name; Zenith, the city in the novel, is generally believed to be based on Cincinnati.
Read more about this topic: Rain Man
Famous quotes containing the words effect on, effect, popular and/or culture:
“The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.”
—Ralph Waldo Emerson (1803–1882)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“The first time many women hold their tiny babies, they are apt to feel as clumsy and incompetent as any man. The difference is that our culture tells them they’re not supposed to feel that way. Our culture assumes that they will quickly learn how to be a mother, and that assumption rubs off on most women—so they learn.”
—Pamela Patrick Novotny (20th century)